&âWith a few exceptions noted below, this list records places where Folio’s lineation has been changed; using the customary short titles (given in the lists of abbreviations available from the “Research Tools” button on the “Tools” palette), each entry lists the source or sources (if more than one editor’s relineation has been adopted in a single, continuous passage) of the relineation, Folio’s line-division (represented by the terminal word of each line and a vertical bar to mark the line end), and any other plausible relineation. (For clarity, some notes cite more than a line’s last word.) Since neither spelling nor punctuation is at stake here, quotations from Folio are modernized, readings from other editions are silently normalized as they are in the collation, and punctuation is omitted unless required for clarity. Centered SDs which form a separate line in Folio are omitted. On a few occasions, the notes record places where Folio has been retained, followed by a rejected change. Not recorded here are uncontroversial impositions of the modern typographical convention that when two or more speakers share a pentameter line, text should be indented to show that fact (see the “Lineation in the Folio” section of the “Textual Analysis” essay). Also not recorded are the places where a metrically regular line was too long to fit into the space available in the Folio’s rather narrow two-column format and where, therefore, the compositors had to “turn over” one or more words and (as they quite often did) happened to capitalize the first word of the turned over text, making it appear to be a new verse line; the note to 3.1.48-52 records what may be an exception to this practice. The few relineations involving changes in SHs are recorded in the Collation. Act 1, Scene 235 Oxford; as two lines eagles | . . . lion Folio40-2 Oxford; Golgotha | . . . faint Folio46-7 Hanmer; as three lines eyes | . . . strange. | . . . king. Folio59-60 Brooke; as three lines happiness | . . . king | . . . composition Folio Act 1, Scene 34 Pope; as two lines munched | Give . . . I Folio76 Pope; as two lines greeting | . . . you. Folio80 Capell; as two lines wind. | . . . stayed. Folio106-7 Capell; as three lines lives | . . . robes | . . . yet Folio130-31 Rowe; good. | . . . success Folio139-41 Pope; as four lines man | . . . surmise | . . . not | . . . rapt Folio142 Rowe; as two lines king | . . . me Folio148-55 Pope; favour | . . . forgotten | . . . registered | . . . leaf | . . . them | . . . upon | . . . time | . . . speak | . . . other | . . . gladly | . . . enough | . . . friends Folio Act 1, Scene 41-8 Capell (ll. 1-2); Pope (ll. 2-8); Cawdor | . . . returned | . . . back | . . . die | . . . he | . . . pardon | . . . repentance | . . . him | . . . died Folio23-7 Pope; itself | . . . duties | . . . state | . . . should | . . . love | . . . honour | . . . hither Folio Act 1, Scene 520-21 Pope; as three lines win | . . . cries | . . . it Folio Act 1, Scene 61-2 Rowe; seat | . . . itself Folio11-12 Brooke; hostess | . . . trouble Folio18-21 Pope; broad | . . . house | . . . dignities | . . . hermits Folio Act 2, Scene 14 Rowe; as two lines sword: | . . . heaven Folio7-9 Rowe; as three lines sleep | . . . thoughts | . . . repose Folio9-11 Hanmer; there | . . . friend Folio12-13 Folio; divided pleasure and | Sent Cam.15-16 Pope; as three lines hostess | . . . content | . . . unprepared Folio24-5 Rowe; consent | . . . you Folio Act 2, Scene 22-6 Rowe; fire | . . . shrieked | . . . good-night | . . . open | . . . charge | . . . possets Folio13-14 Rowe; done’t | . . . husband? | . . . deed | . . . noise Folio16-20 Folio; as one line Brooke; as two lines . . . descended? | Ay. Cam. See detailed note21-2 Folio; as two lines Hark | . . . Donaldbain Steevens325-8 Rowe; sleep | . . . other | . . . prayers | . . . sleep | . . . together Folio35-6 Pope; throat | . . . thought Folio68-9 Pope; white. Knock | . . . entry | . . . chamber Folio72 Pope; unattended. Knock | . . . knocking Folio75-7 Pope; thoughts. | . . . deed, Knock | . . . self | . . . knocking | . . . could’st Folio Act 2, Scene 319-20 as prose Johnson; as verse cock | . . . things. Folio39-40 Steevens3; as two lines hour | . . . to him Folio41-43 as prose Brooke; you | . . . one | . . . pain | . . . door | . . . service Folio; as verse (you | . . . one | . . . call | . . . service) Cam. See detailed note44-5 Folio; as one line Steevens346-8 Rowe; unruly | . . . down, | . . . air | . . . death Folio51-3 Hanmer; as four lines time | . . . night | . . . feverous | . . . shake Folio55-7 Folio; it | . . . heart | . . . thee Rowe; it | . . . heart | . . . matter Steevens3 62-4 Folio; as two lines life | . . . majesty? Cam. See detailed note74-6 Theobald; horror. Ring the bell. | . . . business | . . . parley | . . . Speak, speak | . . . lady Folio; trumpet | . . . house | . . . lady Brooke79-80 Theobald; as three lines fell | . . . murdered | . . . alas Folio97-8 Folio; as three lines pillows | . . . life | . . . them Steevens3113-17 Brooke; tongues | . . . ours | . . . here | . . . hole | . . . away | . . . brewed | . . . sorrow | . . . motion Folio128-34 Rowe; do | . . . them | . . . office | . . . easy | . . . England | . . . I | . . . safer | . . . smiles | . . . bloody Folio Act 2, Scene 414 Pope; as two lines horses | . . . certain Folio19-20 Pope; as three lines so | . . . upon’t | . . . Macduff Folio32-3 Brooke; as three lines invested | . . . body | . . . Colmkill Folio Act 3, Scene 136-7 Pope; as three lines horse | . . . night | . . . you Folio44-5 Theobald; as three lines welcome | . . . alone | . . . you Folio48-52 Capell; palace | Gate | . . . us | . . . thus | . . . deep | . . . that Folio73 Pope; as two lines utterance | . . . there Folio77-90 as prose Brooke; as verse then | . . . speeches | . . . past | . . . fortune | . . . self | . . . conference | . . . you | . . . crossed | . . . them | . . . might | . . . crazed | . . . Banquo | . . . us | . . . so | . . . now | . . . meeting | . . . predominant | . . . go | . . . man | . . . hand | . . . beggared | . . . forever | . . . liege Folio; as verse now | . . . Know | . . . you | . . . been | . . . you | . . . you | . . . instruments | . . . might | . . . crazed | . . . us | . . . now | . . . find | . . . nature | . . . gospelled | . . . issue | . . . grave | . . . liege Rowe. See detailed note109-10 Steevens3; as three lines do | . . . world | . . . another Folio113-14 Rowe; on’t | . . . enemy | . . . lord Folio127 Pope; as two lines you | . . . most Folio Act 3, Scene 216 Pope; as two lines disjoint | . . . suffer Folio22 Rowe; as two lines ecstasy | . . . grave Folio27-33 Singer; on | . . . looks | . . . tonight | . . . you | . . . Banquo | . . . tongue | . . . lave | . . . streams Folio43-4 Pope; as three lines peal | . . . note | . . . done Folio50-51 Folio; crow | . . . wood Rowe. See detailed note Act 3, Scene 310-11 Pope; as two lines he | . . . expectation Folio20-22 Folio; as two lines fly, fly, fly | . . . slave Hanmer23 Steevens3; as two lines light | . . . way Folio25 Pope; as two lines lost | . . . affair Folio Act 3, Scene 41-6 as prose Brooke; as verse down | . . . welcome | . . . majesty | . . . society | . . . host | . . . time | . . . welcome Folio; last | . . . majesty (remainder as Folio) Capell16-17 Folio; as two lines cut | . . . cut-throats Brooke20-21 This edition; as four lines sir | . . . scaped | . . . again | . . . perfect Folio; as three lines sir | . . . scaped | . . . perfect Steevens348 Capell; as two lines lord | . . . highness Folio69 Capell; as two lines there | . . . you Folio109-10 Capell; as three lines mirth | . . . disorder | . . . be Folio122 Rowe; as two lines say | . . . blood Folio Act 3, Scene 536 Pope; as two lines be | . . . again Folio Act 3, Scene 61 Rowe; as two lines speeches | . . . thoughts Folio Act 4, Scene 170 Rowe; as two lines Macbeth | Beware Macduff Folio78 Rowe; as two lines resolute | . . . scorn Folio85-6 Rowe; as two lines thunder | . . . king Folio132 Rowe; as two lines Gone | . . . hour Folio Act 4, Scene 226 Oxford; as two lines is | . . . fatherless Folio33-49 as prose Brooke; as verse bird | . . . lime | . . . . gin | . . . . mother | . . . for | . . . saying | . . . dead | . . . father | . . . husband | . . . market | . . . . again | . . . . wit | . . . thee | . . . mother | . . . was | . . . traitor | . . . lies | . . . so | . . . traitor | . . . hanged Folio56-7 as prose Pope; as verse monkey | . . . father Folio76-7 Oxford; as four lines harm | . . . faces | . . . Murderers | . . . husband Folio Act 4, Scene 317-18 Steevens3; . . . God | . . . treacherous | . . . is Folio25 Rowe; there | . . . doubts Folio102-3 Pope; as one line Folio114 Steevens3; as two lines here | . . . passion Folio139-40 Muir; as three lines reconcile | . . . forth | . . . you Folio175-6 Theobald; as three lines sicken | . . . true | . . . grief Folio213-15 Capell; as five lines children too | . . . found | . . . killed too | . . . said | . . . comforted Folio Act 5, Scene 124 Pope; as two lines now | . . . hands Folio41 Pope; as two lines go to | . . . not Folio45-6 Pope; as two lines hand | O, O, O. Folio Act 5, Scene 61 Rowe; as two lines enough | . . . down Folio Act 5, Scene 921 Rowe; as two lines art | . . . stands Folio– ¨Palex ¨¬Palex ĬÚPalex Ú˚Voyager ˚ Macbeth
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